Overproduced and Underwhelming: The Acolyte on Disney+ – Review


The latest Star Wars venture, The Acolyte, arrives on Disney+ with high expectations and, unfortunately, a cascade of disappointments. Intended to explore the High Republic era, the series ambitiously sets out to expand the Star Wars lore but instead stumbles under the weight of its own aspirations.

The Acolyte

Visually, The Acolyte looks small, with sets that look neither lavish nor exciting, almost as if being relegated to television has diminished its chance to do something interesting. The detailed costume designs are impressive, though.

The storyline centers around Mae, played by Amandla Stenberg, a former Jedi Padawan who, along with her old master, played by Lee Jung-jae, investigates the mysterious deaths of fellow Jedi. Stenberg’s portrayal is earnest, yet she is hamstrung by a script that offers little in the way of meaningful character development. Mae’s journey, which should have been a compelling exploration of the Force and its darker aspects, is instead a disjointed series of events that lack emotional depth and coherence.

One of the most glaring issues with The Acolyte is its pacing. The narrative drags interminably in places, with scenes bogged down by expository dialogue that contributes little to the advancement of the plot. This is particularly evident when the action does pick up, it feels rushed and poorly integrated, as if the showrunners are aware they need to inject some excitement but are unsure how to do so organically.

The exploration of the Jedi Order during a time of supposed peace had the potential to offer rich, thematic material. Instead, the series offers a surface-level critique of institutional rigidity without delving deeply into the philosophical questions it raises. The portrayal of the Jedi and their struggles with power and morality feels perfunctory, leaving viewers with the sense that much more could have been explored.

Adding to the series’ woes is its overreliance on visual perfection. The effects are polished to the point of sterility, creating an environment that feels more like a theme park attraction than a lived-in universe. This overproduction extends to the fight sequences, which, despite their technical proficiency, lack the raw, visceral energy that might have made them engaging. The result is a series of action scenes that feel choreographed and artificial, devoid of the spontaneity that can elevate cinematic combat.

The reception of The Acolyte trailer, with its disproportionate number of dislikes on YouTube, foreshadowed the mixed critical response. While some backlash can be attributed to the so-called “anti-woke” sentiment among certain fans, a more significant issue lies in the series’ execution. The diverse cast and female-centric storyline are commendable efforts at inclusivity, but these elements alone cannot carry a series hampered by structural and narrative flaws.

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Leslye Headland’s direction seems to struggle with finding a cohesive vision. While her intention to challenge and expand upon the established Star Wars mythology is clear, the execution is muddled. The series frequently shifts tones, from philosophical musings to high-octane action, without finding a satisfying balance. This inconsistency leaves the audience unsure of what the show aims to be: a deep, reflective exploration of the Force, or a thrilling, action-packed adventure.

The Acolyte is a fundamentally flawed entry into the Star Wars canon. Its production values cannot mask the shallow character development, uneven pacing, and overproduced aesthetic that undermine its narrative potential. The series attempts to tackle significant themes within the Star Wars universe but ultimately falls short, delivering a disjointed and unsatisfying experience.

RATING: 2.0 out of 5.0.

The Acolyte is streaming on Disney+ as of June 4th, 2024.

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